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Pitt Rivers Museum

1907.64.3.1

Sword [.1] with steel scabbard [.2]


1907.64.3.1

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Collection type
Object
Description
Sword [.1] with steel scabbard [.2]
Long description
Sword [.1] with curved blade, narrow guard and handle covered with fish skin bound with wire. With steel scabbard [.2] with two rings attached. The blade is incised with the letters GR, the coat of arms of the Prince of Wales, and floral patterns, edged with gilt and on a dark background. Incised on the back of the blade is the maker's name '[initials unreadable] Runkel, Solingen'. [El.B 24/08/2007]
Cultural groups
English
Person
Maker Unknown of Runkel, Solingen, Germany
Field collector Mr Jones
PRM source Mr Jones
Date / Period
Date made: Before 1907
Date collected
Before 1907
Acquisition information
Purchased: 1907
Materials and processes
Material Steel Metal, Material Fish Skin, Material Metal Wire, Process Forged (Metal), Process Bound, Process Incised, Process Gilded, Process Etched
Dimensions
Length: max 940 mm, Length: max 855 mm
Object numbers
Accession number: 1907.64.3.1 Accession number: 1907.64.3.2
Research and responses

OED online: Sabre: A cavalry sword having a curved blade specially adapted for cutting. [AP 25/09/2006]

The curved European cavalry sabre, single-edged on the convex side, was ultimately derived from Asiatic sword forms. The etymology of the term sabre itself indicates something of this stylistic ancestry of diffusion; it is derived from the Hungarian szablya, meaning ‘to cut’. The Hungarians and Russians acquired this sword form during the 9th century AD from the nomadic peoples of the Eurasian Steppes, who were participating in largely the same sword culture as the peoples of southern and central Asia (Nickel, 2002: 120). This sword form was brought into Europe by the Eurasian Avars – a nomadic Eurasian peoples originating in the present-day Ukraine, who were forced into Eastern Europe by a Persian expansion in the mid-6th century AD. The sabre’s suitability for mounted use – like the other Asiatic curved swords – emerges from the benefit of an elongated Centre of Percussion in a Drawing Cut – i.e. downwards and backwards, effectively increasing the length of blade encountered by the victim’s body (Burton, 1884: 130-1). The Eastern European acquisition of this technology, and its widespread dissemination into Western Europe, reflects the superior results which such a form produces. It is, however, of more limited use when thrusting, and much debate went on among swordsmiths and cavalry troops throughout the 17th and 18th centuries over whether it was better to carry a thrusting or cutting sword in the cavalry charge. Research Conducted for DCF Cutting Edge 2006/2007 [AM].

Solingen is a place in Ruhr, Germany [AP 06/12/2007]

Search terms: Weapon, Sword, Sheath