- Collection type
- Object
- Description
- Carved wooden Noh mask of a mysterious apparition. The surface of the mask is decorated with painted gesso. The face has raised eybrows and hooded eyelids. [CW [OPS move] 31/8/2016]
- Cultural groups
- Japanese
- Person
- Maker Unknown Maker
- Field collector Unknown Collector
- PRM source Augustus Henry Lane Fox Pitt Rivers founding collection
- Date / Period
- Date made: Possibly before 1880 Archaeological period: Middle Edo Period, uncertain
- Date collected
- ?Prior to 1880
- Acquisition information
- Donated: 1884
- Materials and processes
- Material Wood Plant, Material Pigment, Material Eggshell, Material Glue, Process Painted, Process Carved
- Dimensions
- Depth: max 76 mm, Width: max 141 mm, Length: max 218 mm
- Object numbers
- Accession number: 1884.114.25 PR no.: 319/ 11351
- Research and responses
Related Documents File - Typed transcription from the Bulletin of the Noh Research Institute No. 22, 1997, Hosei University Noh Research Institute, published 25 May 1998. By Nishino Haruo. Translated by Rachel Payne, Pembroke College, Oxford, October 1998: The text relating to this mask is as follows: '319. Chigusa Ayakashi [Footnote 27: Chigusa Ayakashi - literally 'Chigusa-style mask of a mysterious apparition'. A maskj of a vengeful male face, used for mysterious male ghosts. Chigusa was a carver of the early fourteenth century mentioned in the 'Saragaku Dangi'.] Carved by Deme Nagakumo/Choun (pronunciation?) Tsuneyoshi [Footnote 28: Deme Nagakumo ? Choun ? (Pronunciations?) Tsuneyoshi - 8th generation of the Ono Deme carving line, a direct descendant of Sanko-bo]. ' [JN 23/10/2001]
Typed report on the Noh masks [1884.114.7 - 58 and 116 and 117] drawn up by Jeremy Coote. In this listing the notes are listed under the heading A, B and C refer as follows:
A = as listed on a 19th century description possibly printed in Yokohama, B = on the list compiled by T.K. Penniman from information from Arthur Waley's 'The No Masks of Japan' Henry Joly's "Legend in Japanese Art' and V.F. Weber's 'Ko-ji Ho-ten'. C = from information provided 17 June 1993 by Professor Fukushima Kazuo, Director of Research Archives for Japanese Music, Ueno Gakuen College Tokyo following a visit to the PRM in 1984. 1884.114.25 Identified as: A 'Tengu, an imaginary being, supposed to inhabit mountains and lonely places. 175 years old' B 'Man's mask'
One of a set of 52 Noh or No masks for which the Museum also holds 51 silk covers (1884.114.59 - 109). An old label, surviving only as a photograph (NEG A9.F27.32; see RDF), listing all the masks in this collection, reads as follows:
'Old Japanese Masks used in the No-dances and other Theatrical performances, both religious and secular.
'The following is a description of the Masks, printed in YOKOHAMA:-
'These Masks were recently on view at the Exhibition at KIYOTO, the former capital of Japan, to which they were loaned by the owner, who is proprietor of a theatre in TOKIO. There are said to be only two superior collections in Japan, both of which are in the possession of ex-DAIMIOS. These Masks have been used in the No-dances and other Theatrical performances, both religious & secular, for many years. They were made by Buddhist Priests during their leisure hours, & the ages of the Masks, as given below, shew their antiquity.'
'[The List follows; see RDF for this and other identifications.]
'Notwithstanding the high taste for Art displayed in Japanese works the entire absence of nobility and elevation of character in all representations of the human form cannot fail to strike the observer.'
The masks were also identified by T. K. Penniman, from information gleaned from Arthur Waley's 'The No Masks of Japan', Henri Joly's 'Legend in Japanese Art' and V. F. Weber's 'Ko-ji Ho-ten'. See RDF for this and other identifications. [JC]
Please note, the original list of these masks has been found and is in Solander Box 2. [MdeA 2/2/2001]
Search terms: Mask, Theatre and Drama