- Collection type
- Object
- Description
- Base of carved wooden papahou, or 'feather box'.
- Long description
- Rectangular-shaped wooden base decoratively carved in relief over the entire outer surface with a geometric design with a pair of figures with haliotis shell eyes at either end that are subtly intertwined into the overall pattern. Painted with black/ brown pigments on the outer surface. Generally known as a feather box, as this style of vessel was designed to contain treasured personal possessions including the feathers of the now extinct huia bird. This style of rectangular-shaped feather box in Maori is called a papahou. [ZM 15/08/2014]
- Geographical reference
- Cultural groups
- Māori
- Person
- Maker Unknown Maker
- Field collector Unknown Collector
- PRM source Augustus Henry Lane Fox Pitt Rivers founding collection
- Date / Period
- Date made: 1775-1825
- Date collected
- By 1874
- Acquisition information
- Donated: 1884
- Materials and processes
- Material Wood Plant, Material Haliotis Shell, Material Pigment, Process Carved, Process Inlaid, Process Painted
- Dimensions
- Length: max 488 mm, Width: max 211 mm, Depth: max 60 mm
- Object numbers
- Accession number: 1884.62.33 PR Cat other PR nos: 1696
- Research and responses
In November 2014 Professor Ngahuia Te Awekotuku identified the carved surface decoration on this treasure box as kiri kiore or rat skin pattern. [ZM 26/11/2014]
In 1978, David Simmons recorded the holdings of Māori material in a number of museums in Europe and North America including, in May 1978, the Pitt Rivers Museum. (For copies of his notes and related correspondence, see RDF: Researchers: Simmons.) In 1996, Simmons put together the ‘draft catalogues’ he had prepared, depositing copies in, at least, the National Library of New Zealand / Te Puna Mātauranga o Aotearoa and the British Museum. The ‘draft catalogue’ of the Māori material in the PRM, which includes photocopies of some of the relevant catalogue index cards and annotations supplied by PRM assistant curator Lynne Williamson in 1982, was included in ‘Draft Catalogues of Maori Material in English Museums II. Prepared by David Simmons from records made in 1978… Compiled in Auckland in 1996’. It is now widely accepted that Simmons’s assertions about the provenance and history of individual Māori objects are not to be trusted without further evidence and/or documentation. Nevertheless, as the entries in this document have been referred in the literature, in July 2016 I obtained from the British Museum scans of the pages devoted to the PRM’s collections (numbered by hand as pages 43 to 62), printing out a copy for the RDF. For the entry for this object, see page 52 (page 8 on Simmons's original list). [JC 28 7 2016]
Further items to explore
1896.12.1Lead figure of St. Joseph in tin case.1896.12.1
1965.9.104.1Carved ivory box [.1], circular, with screw-on lid [.2], carved all over lid and body. [DCF Court Team 10/12/2002]1965.9.104.1
1996.17.190.1Scroll painting [.1] of the Ushi Matsuri 'cow festival', in a wooden box [.2] with lid [.3] [SM 24/04/2008]1996.17.190.1
1985.52.1309.1Amulet, cylindrical wooden relic box containing relics with a detachable lid [1985.52.1309 .2]. [ASh [OPS move] 24/1/2017]1985.52.1309.1
1951.6.3Forgery of an end-blown flute, koauau, carved from (cow?) bone. [JC 14 12 2007]1951.6.3
1919.16.7Barbed bone point of a large fish-hook. The hook has one barb and the end is broken. [MJD 13/03/2009]1919.16.7
1938.35.1881Portrait in oil on canvas of Ana Rupene and her daughter by Gottfried Lindauer.1938.35.1881
1925.18.11Plaster cast of a large fish-hook1925.18.11